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Second-Day Lede
Monday, April 05, 2004
  Stealth news

Ever notice how the correction to a story that made big headlines never seems to get such big headlines itself? Some news organizations have made token attempts to correct that, requiring that if an error appeared in a front-page story, the correction should be on page one as well -- but that only helps a little because the headline is still very small. No newspaper is going to publish a banner headline announcing "We were wrong!" when a single paragraph with a 14-point headline will suffice.

There's another trick to ensure the correction will get even less notice, and every publicist knows how it works. Release the correction, or any news you want to downplay, on the weekend, especially between Friday evening and Saturday night. Don't wait too long, though -- the new week starts on Sunday afternoon for Monday publications, and they'll be looking for fresh material.

This weekend the Bush administration demonstrated its mastery of those two strategies, releasing Secretary of State Colin Powell's correction to his dramatic, prop-enhanced presentation on Iraq's alleged weapons to the United Nations last February -- Oops! That incontrovertible evidence wasn't "solid" after all -- on Saturday morning during the cartoons.  
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...another look at the news and the industry that delivers it to us


By Janet Dagley Dagley

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What's a Second-Day Lede?

"Second-day lede" is journalistic jargon for putting a new spin on a story for a second or subsequent news cycle. A 'lede" is the lead sentence of an article, deliberately misspelled to make it more easily recognizable as jargon. Once upon a time, news moved in daily cycles, but now it has become a constant flow of rewrites and "second-day ledes."

Second-Day Lede is also the name of this blog, where you'll find commentary on the news, and especially on the industry that cultivates, harvests, processes, packages, distributes and delivers it to us.

Who's writing this stuff?

A veteran of more news cycles than she'd care to admit, Janet Dagley Dagley entered the profession of journalism as a teenager, covering local government meetings at night for the Dayton Daily News in Ohio, becoming a full-time staff writer at 18 and later moving on to the Orange County Register and Los Angeles Times (Orange County Edition). Over the years she has worked as a freelance writer, editor, and radio producer in the U.S. and Europe. Although she has won numerous awards, she lost both times major metropolitan dailies submitted her work for the Pulitzer Prize in Feature Writing, and also lost on Jeopardy! (though she did win a trip to Hawaii). Most recently, she was editor of AIRSPACE, the journal of the Association of Independents in Radio, a U.S.-based group of public-radio producers, and a member of the AIR Board of Directors. She has been blogging independently at The Dagley Dagley Daily since February, 2003.




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